
London, December 09, 2025
YouTube personality Morgan Burtwistle, known as Angry Ginge, was announced as the winner of the 2025 series of I’m A Celebrity… Get Me Out Of Here! in the final held recently in the United Kingdom. This victory marks a notable moment as a digital content creator gains mainstream recognition on a prominent reality television platform.
Winner Announcement and Show Details
Angry Ginge secured the title of King of the Jungle in the 2025 finale of the popular ITV reality competition show. He triumphed over fellow finalists, including Tom Read Wilson and Shona, in a competition that tests contestants’ endurance and popularity as they navigate jungle challenges. The series finale was presented by hosts Anthony McPartlin and Declan Donnelly, maintaining continuity with past editions of the show.
Profile of Angry Ginge
Morgan Burtwistle, widely recognized by his YouTube moniker Angry Ginge, has built a substantial online following through digital content creation. His emergence as the winner highlights the increasing presence and influence of internet celebrities within traditional television formats. His expression of the win as a “dream come true” underscored the personal and public significance of his achievement.
Prize Controversy
Following his win, reports have surfaced indicating that Angry Ginge might be required to return the prize. Details regarding the circumstances or reasons for this development have not been fully disclosed, and further clarification from the show’s producers or the winner is awaited.
Cultural Significance and Show Context
I’m A Celebrity… Get Me Out Of Here! continues to blend participants from diverse public spheres, combining entertainment figures from conventional media with emerging digital personalities. This trend reflects broader shifts in celebrity culture and audience engagement, reinforcing the show’s relevance in a rapidly evolving media landscape.
The inclusion and success of internet-born personalities like Angry Ginge demonstrate the mainstream acceptance of digital influencers and suggest a growing convergence of online and traditional entertainment spheres. The outcome of this series reaffirms the show’s appeal to a broad demographic and its role in showcasing evolving celebrity dynamics.
As the 2025 series concludes, attention will remain on how televised competitions adapt to the expanding reach of social media stars and the implications for audience interaction and broadcast entertainment formats.

