
London, December 08, 2025
Two British artists have transformed private residences into expansive works of immersive home art, redefining domestic spaces through large-scale creative projects completed in 2023 and 2024. Emily Powell painted every inch of her Edwardian mid-terraced house with personal motifs, while Sam Cox, known as Mr. Doodle, covered a 12-room mansion with intricate black-and-white doodles.
Emily Powell’s project involved painting her entire five-bedroom Edwardian home. She began with small motifs such as birds and stars, ultimately covering walls, ceilings, and multiple rooms with expressive artwork inspired by personal memories, including a Paris-themed floor. Powell highlighted the dual challenge of unlimited creative freedom and the practical demands of living inside one’s own art, a daily negotiation between aesthetic and function.
In a parallel large-scale transformation, Sam Cox, or Mr. Doodle, devoted two years to converting a sizeable mansion into a continuous canvas of cartoonish, monochrome doodles. Using spray paint and drawing pens, he created thousands of detailed, non-political designs throughout all interior and exterior surfaces. Cox’s work reflects a joyful, playful storytelling approach, fulfilling a personal childhood aspiration to live within a doodled environment.
These undertakings exemplify a growing artistic movement that blurs lines between domestic architecture and immersive art environments. The projects showcase how private homes can be radically reimagined as living galleries where art and daily life intertwine. Such initiatives raise new considerations about inhabiting spaces that are simultaneously functional residences and comprehensive artworks.
Broader trends in immersive home art include similar ventures such as a thoroughly painted £2 million Devon family home, indicating that this fusion of art and property is attracting increasing attention. For business leaders and professionals, these projects underscore the interplay between creativity and real estate, suggesting potential impacts on property value and innovative cultural expressions.
For policymakers and academics, these examples provide insight into evolving concepts of space utilization, creativity in everyday environments, and how cultural production can extend into private spheres. They reflect an expanding definition of how homes function as sites of artistic engagement, not merely as shelter or investment assets.
The transformation of private homes into immersive art spaces signifies an emerging paradigm in which artists expand their practice beyond conventional galleries, creating dynamic, inhabitable artworks. This evolution invites ongoing discussion on the practical and cultural implications of living within one’s art, with potential influences on creative industries and property development sectors alike.

